Being Happy With Your Success

There are many cases of people who have great success in life but are unhappy because they can’t do something completely different. For example, both Mariah Carey and Madonna were huge pop stars. Their albums went platinum, their concerts sold out in moments. But neither one was satisfied with their musical success. Both of them pursued movie roles where they found themselves panned by critics instead of lauded for their efforts.

There are authors who have success in a genre who want to break into another genre.  Until they ‘cross over’, they won’t feel successful.  I once sat in an audience and listened to a wildly successful romance writer describe how she didn’t consider herself a romance author.  What?  She wrote a time-travel novel, all the while thinking she was a science fiction writer.  When the publishers got a hold of her book, they determined that they could market it as romance.  She didn’t think of it as romance.  When she got accolades, she stuck her foot into her mouth trying to explain how she wasn’t a romance writer, even though her book was marketed as romance and she, in fact, wrote it.

As an unpublished author, I find these anecdotes fascinating.  When you aren’t published, you think anyone who is, is successful.  It’s hard to imagine that a writer wouldn’t feel successful unless some other, more obscure wicket is crossed.

Did Elvis long to make schmaltzy films?  Or did his agent book him into movies when he considered himself a successful musician?

Writers are allowed a great deal of leeway in their creativity.  No one will tell a writer that they can’t write something… Tony Hillerman left his successful Navajo cop franchise to write a book set in Southeast Asia.  He did it.  He must have wanted to write that book.  The fact that most of his readers wanted to know what Joe Leaphorn and Jim Chee were doing must have come as a surprise to him.  Or not.  His next book was back in the Reservation.

Are we just so focused on what we don’t have that we long for it?  Is it a ‘bucket list’ kind of deal?  If I wrote successful historical romances would I pine to knock out that mystery novel set in South America?

As I ponder this, I wonder why the authors don’t just write what they want and then try to sell it.  If it doesn’t sell, then the readers are trying to tell you something.  Possibly you OWN medieval romance and shouldn’t jump genres.  Maybe your command of men in kilts is such that THAT is what your readers expect.

I believe that writers should write whatever they want.  I also believe that, as a reader, I may have some expectations from an author that has successfully created several books in one genre.  What do you think?  Does it surprise you when you hear that someone says “I don’t think I’ll be successful until I _____.”

Megan Fox, voted the most sexy woman alive after her roles as Mikaela in both Transformers movies, said she wouldn’t feel successful until she’d made a “non-Transformers” movie.  She made two movies before she starred in Transformers.  Do you think she meant, “I won’t feel successful until I make a BLOCKBUSTER film that breaks boxoffice records which is not a Transformers movie?”

What do these successful people want?  Why aren’t they happy with the success they have?

–Sandee Wagner

12 Responses to “Being Happy With Your Success”

  1. OTOH–Some authors can’t sell books that are very different from their normal stuff. My suggestion to them is CHANGE YOUR NAME. Don’t tell the editor who you really are. Just submit under the name Jo Blow and see if it’ll fly.
    You’ll either get a whole new genre to write in or find out that your talent doesn’t lie in that area.

    susan
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    • Susan,

      I am convinced that authors who have a great following do re-brand themselves when they cross genres. I hadn’t thought about it being important to just get an editor or agent’s attention, though. I guess you’d have to get a PO box and act like you were in the witness protection program… spw

  2. Kira Daniels Says:

    I find it really frustrating when I hear successful people don’t think they are successful. Seriously? Okay, so maybe you do want to write some other genre or play a role in a different sort of movie–but how can you not think yourself as successful if you don’t? Boggles my mind really. I think it’s the way people are– they are never satisfied, with anything. Not their love life, not their careers, homes, kids, family…etc. I’m not saying you can’t want something and strive to acheive it, but don’t base your entire happiness or success on getting more.

    Er…sorry. lol Rant is over. :D

    • Kira,

      Well, my whole post was a rant. Megan Fox won’t think she’s successful until she’s done a movie that’s NOT Transformers? Really? What the heck is she thinking???

      I guess you might be right, some folks are never satisfied with ANYTHING! I am consistently amazed by the writers who set some goal and then kvetch when they don’t get it. I guess every journalist strives for a Pulitzer and every actor for an Oscar. You don’t hear romance writers saying, “I know I’ll have made it when I win a Rita award!” spw

  3. Marilyn Says:

    I know a writer who’s published over 40 books, but she always said she would never be a successful author until her audience was primarily male. Then her father, who was pretty disdainful of anything female, would be forced to finally admit that she had DONE something. Based on their history, I doubt she’s ever gotten his approval, but without it, everything else meant nothing.

    It’s not so easy, though, for authors who have a following to suddenly switch and write something else. Agents, editors and publishers will discourage them — been there, done that. If you visit some of the romance forums online, there are very vocal readers out there who get annoyed or frustrated or even angry with their favorite authors for writing something different. Romance readers, especially, can be very proprietary, and they want THEIR authors writing the books they expect from them. I understand exactly how they feel. There are several authors who switch between historical and contemporaries, and I don’t like their contemps. When one comes out, I think, “Quit wasting time with that! You could have written a new historical in the same amount of time!”

    Now, for artists doing something totally different, like singers trying their hand at acting . . . I wonder sometimes if it’s just an attempt to refill their creative well. The theory (which I do ascribe to) is that when you’ve run out of creativity in one area, you can regain it by doing something else creative.

    And maybe a lot of it just has to do with celebrity in this country. If your name can sell one product — in Madonna’s case, albums — then there’s an expectation that your name recognition will sell other things, too — movies, books, etc.

    Just a side note: I’m watching an old interview with JK Rowling, and closed captioning wrote Edinborough as Eden Borrow. :-)

    Publis

    • Marilyn,

      I’m afraid that faced with a novelist of that magnitude with that attitude, I’d say these three words: “seek professional counseling”. That is a gal who has some issues.

      I think we ALL want our folks to be proud of us, but if you parents are not supportive of the GENRE that you publish in, they are the type to never be satisfied with anything.

      I had not thought about jumping tracks as being a way to refresh and restimulate. That’s actually a really interesting idea. I still wonder about those that have some activity that they equate with success. It’s kind of like saying, I want to make my first million by the time I’m 45. Maybe you will make a million by your 46th birthday, if you do so, are you successful or not? You achieved the goal, just not on your time deadline.

      The genre hoppers astound me. Not that they want to write something else–that I get completely–that their success in their current genre is cast aside for the ‘greener grass’ of another genre. How many romance writers have jumped to mystery/thriller? Sandra Brown, Tami Hoag, Janet Evanovich. I could name a bunch of them. Do you think they were successful romance writers? Did they not have fulfillment until they wrote a mystery? I can tell you that several of these authors lost me as a reader. Hopefully they gained some mystery following to make up for the romance readers they left behind. spw

      • Marilyn Says:

        For some authors switching from romance to mystery/thriller, I think the increase in readership is the driving factor. But for some, maybe it’s just the way their story ideas are going, or for some, maybe they’ve written so many romances that they want to explore some other aspect of life in their writing.

        I love romance; it’s all I’ve ever written and I will continue to write it . . . BUT . . . I find that a series I’ve been playing with for a while that was originally meant to be a straight romance series is turning out to be women’s fiction. There are romantic elements, lots of them, but it’s really the interaction between the women that’s grabbed my interest rather than the male/female relationships. I’m not sure where this will go, but I’m eager to find out.

        And if it goes someplace that has lots and lots of readers waiting to buy the next book, woot!

  4. lsomervi Says:

    Okay, here’s my rant. Celebrities, including authors, are people, human and fallible, just like the rest of us. And just like the rest of us, they are subjected to the same BS as the rest of the world. You’re not worthwhile if you’re not a size 2, if you don’t have an MBA, if you don’t wear brand name clothes, if your teeth are perfectly white…you get the idea. So they get caught up in the treadmill of trying to “be somebody” even though they already are somebody.

    I heard Harold Ramis, one of the writers of Animal House who went on to write and co-star in Ghostbusters, during an interview talk about the night of the big premier of Animal House. When his limo pulled to the curb, the red carpet coordinator opened the car door, looked inside, saw Harold and his co-writers, and “Oh, it’s nobody.” Then shut the door in his face.

    • Lynn,

      First, I love Harold Ramis and think he’s a genius.

      In regards to your ‘they’re all human and have foibles’ note, here’s my beef. How about checking who your audience is before you start kvetching? How about that? Look around, if a bunch of struggling unpubs are hanging on your every word, multi published author shouldn’t say, “I won’t consider myself a success until “.

      Just that, you don’t complain about going from a size 6 to a size 8 in front of fat women, do you? Consider your audience before making these pronouncements. That’s the message I would like to give our oh so human author friends. spw

  5. Sandee– excellent post and thought provoking. You have some sage advice for me–not that I’m famous, or switching genres & I hope to heck, I’m not kvetching. I’m so gratefrul for the blessings heaped upon me.

  6. Marilyn,

    That women’s lit series sounds like an interesting road. I hope you follow it. You know I’ll be in line for the first one!! spw

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