Our Husband

STEPHANIE BOND

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 Stephanie Bond’s first book has long been a favorite which holds up well over time. This wild romp came from the author of the successful Body Movers series. Bond’s hook is a traveling salesman has three wives scattered along his route. His three wives vary in age, education, and backgrounds. His first wife, Beatrix he married for money. His second wife, Natalie could be his daughter. His third wife, Ruby could be his granddaughter with Beatrix. Their personalities are different but they share the common thread of accepting superficial marriages without much communication because his force of personality gives each woman the feeling that she is special.

 The women each give him a gift. Beatrix provides status. Natalie allows him access to her medical earnings. Ruby renews his passion and builds an aging man’s ego.

When these women become the prime suspects in his murder they unite to solve the mystery. Their road trip is the stuff of family legends.

Because Bond is such a good writer, by the last page you will come to see all three as quite likeable.

Copper Lake Secrets

Marilyn Pappano

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Marilyn Pappano takes her readers along the reading experience like the consummate professional she is. Her books engage you. Believable and well-crafted characters become your friends, neighbors, or people you have heard about—Irish travelers.

The way the suspense grows with her main characters is refreshing as they are not at odds like the often written pair who instantly hate each other and then fall in love. Both seek answers to personal demons finding the answer in Copper Lake. They work together and grow to love one another while the suspense builds through more deadly threats.

The descriptive is rich, encompassing the reader in things as simple as childhood swims and as complicated as survival of our main characters. With Marilyn Pappano layering the plot, it is just so fascinating to read beyond the first layer. An awesome romantic suspense. I loved the Copper Lake estate where the action takes place. I enjoyed touching base with a familiar character or two. Pappano’s storytelling in this book is among some of her best. She had an earlier work turned into a movie for Hallmark. This one would translate easily to the big screen and is scary enough to draw in a wide audience of both sexes. Undoubtedly one of the best reads over over 360 books for me last year. Pick up your copy and feast on the work of a gifted writer.

Red’s Hot Honky-Tonk Bar

Pamela Morsi

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One of the best books I read last year is Morsi’s tale of Emmaline (Red) Cullens who has worked from homeless unwed teenage mother to proprietress of her own bar in a little locals’ hangout beyond the upscale River Walk of San Antonio, TX. While both are bound by the river, her piece of Heaven is definitely low rent.

Red is proud of her adult daughter serving in Afghanistan. Currently as a cougar to fiddler, Cam, she has good lovin’ and is not yet ready to kick him to the curb. One call from Bridge, her daughter, endangers this good life. Bridge’s ex-husband is deployed in S. Korea and out of the picture. His mother providing care for the grandchildren suffered a stroke. Red must take care of two grandchildren she barely knows.

I’m sure readers will enjoy Cam’s skills with children and helping Red grow. The two grandchildren are just incredible. Cam’s aunt adds another dimension to the story, enhancing the reader’s experience. Red learns to navigate PTA, its dragon lady, and a no show cupcake booth worker who ensnarls her in working the politically correct cupcake booth from hell. If ever a booth needed two workers it’s this one. Poignant and at times funny beyond belief, savor the read.

The quotable dialogue is laugh out loud funny. Once you meet Red you will understand the phrase: “A heart as big as Texas.”

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Remember: If you want a particular book reviewed, please contact me. If you wish to review a book, we ask that it not be your own work. Make reviews between 20 and 300 words. Scale between 1-5 hearts with one being the worst book you ever read. Five is for a best ever read. We reserve the right to edit reviews for length and content. The reviews are based on recent reads, NOT NECESSARILY NEW RELEASES.

Reviewed by Robyn Daniels

In her blog on Wednesday, Jackie Kramer mentioned that a writer needs another writer to commiserate and/or celebrate with. And she’s right. Only somebody who’s been through the fire knows how hot it really is.

But I’ve learned over the years that I need to talk to another writer for more reasons.

• Only another writer can teach you how to write for publication.

English teachers know grammar and punctuation, etc., but an author will tell you that each house has its own style. (Serial commas, one or two spaces after a period, and that kind of thing.) No matter how educated you are, you aren’t going to teach a publisher how to publish.

• Writers know EVERYTHING.

They really do. Some of them are very humble about their knowledge, and they make it easy to learn from them.

*Thanks, Marilyn, for all the things you’ve taught us (me especially) over the years!!! We appreciate you!*

• Writers really do know EVERYTHING.

Sounds as if I’m repeating myself, but on a little different note, if you need to know something, there’s a writer out there somewhere who knows it. Or she knows somebody who knows it. Or she can help you research it.

Several years ago, a friend of mine wrote something that referred to glaciers during the ice age having been in the area which is now Oklahoma. I offered to check with my Dad (a geologist) about it.

I didn’t have to, though. Both my husband and my son knew for a fact glaciers had never graced Oklahoma. (Okay, I don’t know a lot, but I know people . . . )

Just yesterday, writer friend Jackie Kramer, who’s also a nurse, answered my call. My great niece is in the hospital, where she works, with RSV. She calmed my fears and educated me on the sticky virus.

• Writers cheer you up if you get down.

I promise you, if you do something silly or just plain stupid, there’s another writer out there whose done it, too. And someone has done it bigger. And they survived to tell the tale. (And they’ll probably share it with you.)

• Writers understand.

We look for insight–the underlying reasons behind other people’s actions and emotions. We have to be able to make sense of the people in our lives. It’s what we do.

Because we just might want to write about it some day.

Now all I want for President’s Day is for my publishers to accept electronic signatures. Don’t get me wrong — the current process beats the old one by a mile, where publisher mailed contract to agent, agent mailed to author, author read and signed and returned to agent, agent returned to publisher. It took weeks.

Now my publishers email my contracts to my agent, who emails them to me. Process completed in a matter of minutes. Then I print out three copies, sign them and snail-mail them back. If I’d been able to do my part electronically, instead of spending an hour printing, reading and signing, then standing in line at the post office, paying mailing costs plus the cost of a mailer, and filling out customs forms, I would have all but the contract/reading time to find something more interesting to blog about here! We’d all come out ahead, wouldn’t we?

We all know, don’t we? It means that she was able to lose enough weight to get back into her favorite jeans. Men just aren’t wired to body image like women and telling a man that you succeeded in getting back to a size you like better confuses them. They would just buy jeans that fit, whether they had to buy smaller or larger.

Monday, I had to kill a couple of hours between a doctor’s appointment and work. So, I had lunch at Cosmo and wrote on my iPad.  I got 747 words written!  That was the most I’ve done in one sitting on my MIP in months!  To say, I was on a high is a severe understatement. Now, I know what my fellow writers are saying as they read this.  “You go, girl! Woo-hoo! Awesome!”

When I got to work, I marched in as if I owned the world.  My co-workers asked what had me so hyped and when I told them about my word count, they just looked blank and said, “Nice.  You’re taking Shawna’s team.”

Wahhhh! Is there a writer here I can talk with?  Once again, I was reminded of how solitary a writer’s daily life can be.  And it’s worse for me because I live alone and don’t have anyone at home who loves me enough to take (or fake) an interest in how my writing is going.  I can use the Internet to connect with other authors which is better than a tin can phone, but I really miss a faster connection.

So to all my writing sisters and brothers, thanks for being the writer out there I can talk with!

Shockingly few recognized it. Only three agencies thought the work was marketable. Many criticized the screenplay for having too much dialogue, not enough action. One agency suggested Ross try turning it into a novel.

Some aspiring writers might hear this tale and feel discouraged. “Jeez, if they don’t even like a classic such as CASABLANCA what chance do I have?” Yet I find the story funny and inspiring. To me its proof no one gets it right every time, even agents. The trick to success is to keep writing and submitting, believing in yourself and that someone out there knows a good story when they read it.

Three weeks later he invented the phonograph. Prior attempts at building said phonograph had (literally) gone up in smoke. With that, he forgot all the mistakes he’d made and started totally fresh.

We can all apply this philosophy…just get rid of the errors and begin all over again.

If you’re working on a story but seem to have hit a brick wall and can’t find a way around it, set that story aside. Start something totally new. It might be a story that’s been bugging you for a while, but you wouldn’t drop the other one to work on. It’ll be interesting to see how fast it all comes together.

I can’t say this has happened to me. No, I’m so stubborn I keep plugging away when I should quit and move on to the next project. Forget my mistakes and start with a clean slate. I’m willing to bet I’d be a lot happier with the end result. Kinda like Mr. Edison and the phonograph.

Hmm. Perhaps I should take my own advice. Since I just finished a project, and it’s a new year, think I’ll start a brand new story and see where it takes me.

(For those out there who don’t know what a phonograph is – Google it! You might be surprised how it has influenced your lives.)

Linda Trout

RWI has a goal setting loop. I came up with the idea, and we started the loop the year I sold my first book. It’s called BOLD AND SOLD. The loop has been in existence for several years now.

As of this writing, only one person has posted her goals in the last few months–and it ain’t me!

(Yay, Jean! You go, girl.)

The loop is made up of a great group of very supportive women. I wonder why we (me included) don’t use it?

I’ve heard a few good reasons, and can think of a few more.

• When I set goals, I make them too high.

One of the purposes of the loop should be to learn how to set good goals.

• When I don’t reach my goals, it makes me feel bad.

Since we only give praise (and we can be so good at that!) and never boo anyone, the only reason a person feels bad is a conscience thing. We can train those puppies!

• When I set goals, things happen and the week is over before I can write.

Maybe we should set monthly goals. Or . . . I have another idea I’ll tell you about later.

• When I set goals, it seems the last thing I want to do is write.

I have that problem with Weight Watchers. When I’m on WW, it seems all I want to do is eat. (Could be all I want to do it eat all the time anyway. LOL.)

Remember the Do-Do verses (my preacher calls them that) in the Bible?  Romans 7:15-16

 I do not understand what I do. For what I want to do I do not do, but what I hate I do. And if I do what I do not want to do, I agree that the law is good.

Paul wasn’t even talking about goal setting, per se, but he’s got it pegged. We don’t do what we want to do and we do what we don’t want to do.

So why should we set goals?

The easy answer is so we’ll know when we’ve reached them. I’m the last person in the world to lecture on being regimented when it comes to anything, but I find that setting my own true goals makes me want to reach them. (My way is kind of, “Oh, yes, I can, too! Don’t tell me I can’t.”)

But that’s only my goals, not ones that are forced on me by someone else either telling me I should do this or that or expecting/assuming I’ll do whatever.

I took a goal setting workshop once that suggested that we take a test to see how committed we are to our goals. Set one goal of something you want to do every day.

Write it down on 10 pieces of paper or index cards.

Put one everywhere you are. At your desk, in your purse, by the coffee maker, on the fridge, on your computer screen at work. All the places you go regularly.

Now take another index card and write the date for the next week and next to it yes or no.

1/21    YES    NO

1/22    YES    NO

1/23   YES     NO

1/24   YES     NO

1/24   YES     NO

1/25   YES     NO

1/26    YES     NO

1/27    YES     NO

Leave no room for excuses. Each day, circle whether you met that goal.

At the end of the week, you should be able to tell something about your commitment to that goal.

Of course, being that regimented would make me nuts, and I can almost assure you I’d flunk. Instead, I have to go with another idea I read about this morning. (This is what earlier I told you I’d tell about later.)

It’s called Row 80.

That stands for ROUND OF WORDS IN EIGHTY DAYS. I think someone came up with it so there was something like NaNoWriMo that works for real people.

From what I’ve read, you set your goals for the next eighty days. Real goals for people with real lives. People who work. People who have families. And then you report in weekly to tell how you’ve done.

If your goals change because, after all, life changes things, you simply tell about the change. For instance, if you’re writing on a book and plan to write thirty minutes a day (or x amount of words) and suddenly you sell another book, you simply announce your goal has changed. Now you must work 30 minutes a day–or whatever–on revisions.

Is this a call to RWI members to get them to join the Bold and Sold loop? Yes. If they’re interested. Is it a call to get members to join ROW80? Not necessarily, but sure, if you’re interested.

It is a great place to get inspired, and they have a wonderful badge you can put on your blog. Check it out:

ROW 80

Even if you aren’t interested in setting goals or aren’t able to join the B&S loop because you aren’t a member of RWI, it could get you to writing.

And that’s what this has been about.

(I can tell you about joining RWI, too, if you’re interested. Even long distance members are welcome. Just let me know.)

When I got up this morning, I was still thinking about it, wondering why I loved the movie so much.  It’s gory beyond gory.  It doesn’t have an actors that are anywhere familiar to me.  And what dialogue there is, I have to read the subtitles.  (Not a big deal for us hearing impaired who are already using the caption capture on the TV!)  This film is similar to another one I love, QUEST FOR FIRE. Only QFF has NO dialogue at all.  That’s when it hit me that when the writing and acting come together to make two such movies as these, we’ve got us a perfect marriage.

Now, I understand, that to the majority of audiences, the author of the script isn’t why they go to the movie.  I do have friends who base their television watching on the quality of the writing. As an author, I won’t watch even my favorite actors if the stories are lame.  That’s why actors depend on good writers.  But when that final script is filmed, it’s more than the written words that make the great movie.

You also have to have a director who can ”see” the story the writer has on paper.  You need a cinematographer who can film the scenes for maximum impact.  And without a skilled actor who can emote, even without dialogue, to give life to the words, the film won’t work.  There is no doubt that the movie team is an example of a perfect polygamous marriage. And nothing leads to a “divorce” like a film that doesn’t live up to the promise of the written words.

But I have to admit, as far as I’m concerned, the writer is the Senior Wife as the Chinese would say.  Without the words, the story doesn’t attract an actor or director to go for the film rights.  Without the words, the story doesn’t attract an audience. Without the words, the actors don’t have a good idea of how they should portray the character.

Yeah, that works for me.  I like being the Senior Wife.

The minute I read that promo, I knew I’d have to tune in to the new series, Alcatraz, that aired on Fox last night. During our seminar on Saturday, multi-published author Chuck Sasser spoke about jump starting fiction with intrigue, mystery, action, and raw emotion. And man, the writers of Alcatraz nailed them all. I love the premise: “The worst criminals this country’s ever seen are coming back…and no one’s going to be able to find them because they don’t exist.”

In 1963, The Rock was closed, the prisoners all moved to other prisons. Yet as, FBI Agent Emerson Hauser says, “That’s not what really happened.” It’s the present day and the “’63s”, as Agent Hauser refers to them, are coming back.  Teamed with Hauser, SFD Detective Rebecca Madsen and comic book writer/Alcatraz expert Dr. Diego “Doc” Soto, track the first Alcatraz re-appearee, Jack Sylvane, who’s gone on a vengeful killing spree. As if finding all the reappearing criminals wasn’t enough Hauser, Madsen, and Soto must learn who moved them off Alcatraz in the first place. Where have these criminals been the last 50 years? And oh yeah, why haven’t these prisoners aged a day?

I don’t watch that much TV. I don’t have time. But I’m hooked. I’ll travel back to Alcatraz every week! If you didn’t see the pilot episode, read it at http://en.wikipedia.org/wiki/Alcatraz_(TV_series)